Each of Ferenc's animations is an evidently creative project. He explores possibilities and discovers how to make effects which he later deploys in a context which contributes to their meaning, eg his first flying rectangle is the conclusion of a trek round the edge of the screen. In his fourth film, 144 frames long - which he made while we were filming him - his main "character/s" are a white line which makes a lengthy journey, including some twirling on the spot, to reconnect with itself.